Sunday, May 12, 2002

Today is Mother's Day... If you haven't called your mother yet - do so! Mine wrote me a great letter yesterday (thanks MOM!!!), and sent along this article on our great-Auntie Babe who is 102 years old! In the spirit of all great women and mothers, here's my great aunt babe:

Gladys Moore

"I have always been concerned with the matters of the Spirit," Gladys says to us, only minutes into our conversation. Later, she interrupts a story she is telling to observe, "Spirit is something that is hard to realize—it’s hard for a mind—we have so much to learn." Throughout our visit the topic keeps resurfacing, making it clear that "matters of the Spirit" are still something she is very much grappling with.

Gladys is a thin woman with fly-away white hair who looks tall, even sitting in her wheelchair. Her eyes, over a century old, are blind; yet that isn’t immediately obvious because of the way she directs her gaze at people when they speak, or rolls her eyes towards the ceiling in thought. Her logic has a surgical exactness. And when she smiles, it’s like a cloudbreak. Brilliant.

Raised Baptist, Gladys says she believes in God and in God’s Creation. "God created it right," she says. But she goes on to say that others who don’t believe in God still do good in the world, so she can’t condemn them. She also says she doesn’t hate anybody. "Once, I thought I hated Hitler," she tells us. "I wanted to wring his neck." But even he was a normal person once, before he got his dangerous ideas. And it costs a person too much to hate.

When Gladys was a small child, her family lived in rural Texas. The area where they lived had no established church, so they sunk four posts in the ground and covered them with thatch, and held church services beneath. She remembers riding home on her father’s shoulders one night after a service. "The stars were so clear," she tells us. Her father asked her if she wanted to get down and walk, but she said no, because she couldn’t take her eyes off the stars. They had never looked so clear before. "Do you remember," she asks us suddenly, "how things looked when you were a child? Like you were seeing them for the first time." She flashes one of her brilliant smiles. "Everything was magic," she says.

In Texas, Gladys’s family worked on a cotton farm, and she picked cotton side-by-side with the children of Mexican farmworkers. Some of the boys told her the boll weevils tasted like oatmeal, but she swears she never tried one to find out if it was true. She will admit other weaknesses, however; for example, when she and her husband couldn’t scrape together the $200 they needed for a down payment on a farm, she played the Lottery to get it. "Money’s money," she says with a glint of mischief in her eye. She admits she still plays the Lottery, and hopes that one day she’ll win big. She says she wants to make life easier for her two surviving children—both of whom are in their 70s.

When Gladys was 23 she married her husband, a chiropractor. Before they were married he lived a while in Hawaii, and they courted by mail. She says they wrote each other a letter a day. The correspondence filled several trunks; eventually they threw the letters away because they took up so much space. Being married to a chiropractor made Gladys what some in her family call "a health food nut." She also has a suspicion of pills, mentioning briefly a time when she was on medication and unable to think clearly. "People weren’t honest to me," she says. But things are better now. She demonstrates this by reciting poetry for us. "I think that I shall never see a poem lovely as a tree…" she begins, and quotes Joyce Kilmer’s poem in its entirety. She closes her eyes and waves her hands in cadence, as if she were conducting a choir to sing along.

In the 1920s Gladys’s husband built her a wooden car that was "shaped like a bullet." When they moved, she drove it all the way from California to Oregon. A woman driving alone—not to mention in a wooden car—was quite a curiosity at the time. Her husband and their children drove in front of her in the family pickup truck, which helped turn back some of the more aggressive onlookers. "Traveling is an education," she says. "It gives you a bigger world to think in." Later, in Portland, Gladys and her sister worked in a restaurant called The Cat and the Fiddle. It was an old Portland favorite that played host to many celebrities. Gladys says the sisters were well known by the restaurant regulars, who like to call them Pretty Wanda and Happy Gladys.

Looking both back and forward, Gladys is optimistic about life. "The world changes," she says, "but lots of things are getting better, especially for women." Men used to "rule the roost," but now women are less willing to let them. She thinks a woman trained in politics is just as good as a man. She’d be interested to see a woman in the White House. She remembers Hawaii’s last queen, who led the island before it became part of the United States. She sings "Farewell to Thee," telling us how it was written for the queen when Hawaii became a state.

"Our memories make us what we are." Gladys tells us later, her unseeing eyes gazing at something too distant to see, and it’s clear her memories have made her rich. But they’re not all she is. We ask her if we can take her picture, "Oh I don’t know honey," she says. "Do I look alright?" We tell her she looks beautiful. "Then I’d be honored," she says. And she smiles.

Saturday, May 11, 2002

Hmmmmm... Interesting.

Thursday, May 09, 2002

Got this from Blogjam - The urinals of Aquarium a trendy club in London that allows you to pee and watch TV... Of course this would be in the men's room - the same place where you can always find a copy of the New York Times or print-outs from Yahoo Fantasy Football laying on the floor.
In any case - check out the urinal site for other crazy things, among them the trough that Ian will have to probably use when he runs the NY Marathon... Speaking of, I should probably "go" and then go to the gym...

Wednesday, May 08, 2002

I recently got a cd anthology of Laurie Anderson's work... a retrospective. I was realizing that it's been just short of 20 years since I owned Big Science. I used to be completely ga-ga over her stuff. I remember how freaky she first seemed - watching her on NightFlight (when it was really avant guard and had whole programs on cutting edge artists -- and New Wave Theater premiered right after...) -- they played the video for O' Superman, my preteen friends and I looked at each other in affixed puzzlement - what was she doing? Who was it that was calling her answering machine? Whose long arms? Whose Petrochemical arms? What's wrong with her hair? Was this New WAVE!?!? A year or 2 later, I buy Big Science, thinking it avant gaurde pop as opposed to Po-Mo art recorded for the masses. It was the kind of album you would play and lie back on your bed and look at the ceiling... Sometimes in the dark.
Of course, I remember the Rollingstone review of "Life in these United States" - 5 stars! It was 4 CD/LP set. Damned if I could ever afford anything that lavish then ($50 seemed really expensive for Vinyl back then)...
The year after, Mister Heartbreak seemed to be the ultimate. It was exotic, had strange bird noises and textures. (In Speech class, I embarassingly try to deliver her "Lang'da mour" in my most monotone delivery. Went over like a lead balloon in conservative state competitions, but the college judges liked it.) A few years later - Strange Angels tour in Portland, I finally got to see her live... and remember being floored how minimal, yet grand her tour was. She stripped it even further down 3 years later when she toured campuses shortly after the gulf war. It was mostly an oration, a few numbers, but less exploring, more opinion... even a political rant at one point. After Bright Red came out... I kind of lost touch, occassionally seeing her on a special or hearing a great film score she did (Fallen Angels uses 'Speak my language' very well)...
Then after 9/11, I rememered O' Superman and even worse, 'Into the Air' - the lyrics about aircraft, losing control, military, American identity, safety... and immediately wondered how she would piece all this together. I went to her website and found nothing new or updated, however I could almost hear her words talking about people, Americans... identity. Alienation was never her message - but more of optimism, sensing a need to connect with everyone... She seems to be able to speak with a compassion about our wreckless ways, and forgiving about our inevitable lack of hindsight.
Unfortunately, I was out of town for her last show -- but I bet it would be poignant as always...

Tuesday, May 07, 2002

Spoke too soon... and no, I didn't even look at the Sunday Times before I posted my musings on retro-retrofuturist nostalgia... In any case, now that this has been outed by the NYT, it's probably d.o.a (and we're not talking Pete Burns DOA either)... In a related article, they did give much kudos to Fischerspooner (another complete coincidence as I had been perusing their clever site just the other day.) Ian, Paula, if you are able - catch them. The show is supposed to be a big saucy sandwhich of entertainment. Then again, that's how I like to bill myself...

Monday, May 06, 2002

Should I shell out $$ for blogger pro because it has spellcheck? I'm looking at past blogs and seeing my spelling errors come back to roost. In any case - today was cold. I was underdressed and think I might be coming down with something. That or I'm just needing more sleep. Speaking of which... ZZzzzzzzzzzzzzzzzzzzzzz.

Sunday, May 05, 2002

I couldn't help but pour over Rolling Stone's 50 Uncoolest Records, the opposite of their last month 50 Coolest feature (w/their disclaimer that these are albums they actually love - kinda like guilty pleasures)... I find it vaguely patronizing, a few of the artists deserving of some other tribute than "it's so bad it's good". I'm always compelled by arguments of taste because in 20 years, someone get's a facelift (metaphorically speaking) and the world is in love with them all over again... Case in point: Burt Bacharach. I'm currently listening to Reuben (from Ladytron)'s Datamath Phat Camp mix from Emperor Norton. I'm debating on seeing them this wednesday, but that's beside the point. I got to thinking about the whole Electroclash scene -- One hand, I want to throttle the GenY kids for rifling through my New Order and Yello LP's, telling them "enough goddam nostalgia", but on the other hand, I want to give them props for coloring in the lines, making something refresh, yet artful (that music was pure aesthetics if anything...) I think it's good to have a healthy irreverance hese days. Case in point? Fischerspooner - the troupe from NY that establishes a working link between Avante Guarde and the Solid Gold Dance numbers. As long as there's a sense of fun, a sense of creativity as opposed to fashion... Ann Magnuson said the world is divided into the Cool and the Groovy. The Cool are calculating and seldom take risks, the Groovy are all about taking chances and looking foolish. Fischerspooner probably apes the Cool, but are being pretty groovy...